“She is like family”, “Sy was soos ‘n ma vir my”, “Sy’s nader aan my as ‘n suster”. Ena Jansen, acclaimed author, takes an interdisciplinary look at the history of domestic workers in South African literature and the visual arts, as explored in this exhibition.
In celebration of figurative sculpture, this exhibition interrogates representational sculpture and the monumental as produced in bronze and stone. The pieces were created by sculptors, continents and more than a century apart, and essentially driven by the human form and state of being. The selection features a European Master, Old South African Master, as well as two contemporary South African greats and casts a view on their influences and styles from the traditional to the unconventional.
In 2019, the Rupert Art Foundation and the Rupert Museum in Stellenbosch launched the Social Impact Arts Prize 2020, calling for great creative ideas with the potential to make an impact on the communities within which they are created. Following a rigorous and inspiring assessment of the 123 submissions by an international panel of judges, these six projects have been announced as finalists, and three were awarded.
Inspired by the Rupert Museum’s permanent collections, this instalment of Nature Morte is the second part, following the exhibition under the same title that was shown in Stellenbosch. Still lifes and interior scenes are well-practiced genres in the visual arts. The significance of which is particularly relevant since the start of the pandemic, as we have experienced confinement to our domestic spaces the world over.
Have you ever wondered what happens behind the scenes managing an art collection? Well this exhibition will present a view into Collection Management and Archiving of a private art collection. Various aspects, disciplines and general practice will be explored, by using artworks from the permanent collection as examples to illustrate, demonstrate and physically engage with.
This exhibition is an appreciation of the expressive artistic period that transformed and even transfigured anthropomorphic representation and informed the alternative use of materials. The selection of mid-20th-century sculpture in conversation with 21st-century contemporary pieces by both Patrick Bongoy (b1980) and Jake Michael Singer (b1991) challenges the viewer with forms and materials that are often disquieting, aggressive, bold, and textured
This exhibition takes a closer look at the synchrony in the complete Synchromies series by Swiss psychiatrist, psychotherapist and later turned photographer Oscar Forel (1891-1982), published in 1961. The study of trees, their growth, their bark and identifying signs of events the tree had witnessed were the crucial aspects in this series - that are truly fragments of a larger whole.
The Café is closed until 2 October for routine upkeep. Thank you for your understanding.